生产、接受与对话:新大众文艺与“冀中一日”写作运动的互文性研究

    Production, Reception, and Dialogue: A Study of the Intertextuality between New Popular Literature and Art and the “One Day in Jizhong” Writing Movement

    • 摘要: 从新大众文艺当下发展状况与历史上文艺运动的关系出发,研究新大众文艺与“冀中一日”写作运动的互文性,以厘清新大众文艺的文学传统,为推动其健康发展提供帮助。在生产层面,运动的参与者在进行文艺生产时表现出主体性的强化,并且生产的进行离不开特定的社区环境。在接受层面,这种互文性主要表现为接受的去精英化与以创代评。在对话层面,两次文艺运动对知识分子前理解产生明显影响,并影响作家群体的结构。总之,从“冀中一日”写作运动到新大众文艺,以人民性为核心的文艺传统贯穿其中,未来应继承并发扬这一传统,推动新大众文艺健康发展。

       

      Abstract: Starting from the relationship between the current development of New Popular Literature and Art and historical literary movements, this study examines the intertextuality between New Popular Literature and Art and the “One Day in Jizhong” writing movement, in order to clarify the literary tradition underlying New Popular Literature and Art and to provide guidance for its healthy development. At the level of production, participants in both movements exhibited a strengthened sense of subjectivity in their literary and artistic creation, and this production process was inseparable from specific community contexts. At the level of reception, the intertextuality is manifested primarily in the de-elitization of reception and in the substitution of creation for criticism. At the level of dialogue, the two literary movements exerted a marked influence on intellectuals’ pre-understanding and reshaped the structure of the writer community. In sum, from the “One Day in Jizhong” writing movement to New Popular Literature and Art, a literary tradition centered on the people runs throughout, one that should be inherited and further developed to promote the healthy growth of New Popular Literature and Art.

       

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